Description
In this sparkling debut, Matthew Hollis immerses us in the undercurrents of our lives. Love and loss are buoyed by a house full of milk, an orchard underwater, the laws of walking on water. Rainwater, floodwater, flux - the liquid landscapes which shift relentlessly in Ground Water - threaten and comfort by turns. Matthew Hollis's poems are brimming with courage in adversity as well as the promise of renewal, culminating in a powerful sequence about a father's struggle with terminal illness. Ground Water is a startling first collection from a remarkable new poet. Shortlisted for the Guardian First Book Award (the first time for a poetry book), Whitbread Poetry Award and Forward Prize for Best First Collection. Poetry Book Society Recommendation.
About the Author
Matthew Hollis was born in 1971 in Norwich, and now lives in London. He won an Eric Gregory Award in 1999. He is co-editor of 101 Poems Against War (Faber, 2003) and Strong Words: Modern Poets on Modern Poetry (Bloodaxe Books, 2000), and editor of the Selected Poems of Edward Thomas (Faber, 2011). He is Poetry Editor at Faber & Faber. After its shortlisting for the Forward Prize for Best First Collection, his first full-length collection Ground Water (Bloodaxe Books, 2004) was shortlisted for the Guardian First Book Award (the first time for a poetry book) and for the Whitbread Poetry Award. Ground Water was also a Poetry Book Society Recommendation. His biography, Now All Roads Lead to France: The Last Years of Edward Thomas (Faber, 2011), won the Costa Biography Award, the H.W. Fisher Biography Award and a Royal Society of Literature Jerwood Award for Non-Fiction, and was BBC Radio 4 Book of the Week and Sunday Times Biography of the Year. In 2016 he published two limited letterpress and hand-made pamphlets, Stones (Incline Press) and East (Clutag Press).
Reviews
An impressive debut...the metaphorical language is finely judged, touching both the landscapes and the people crawling its surface with a shrewd but never less than sympathetic gaze. -- D.J.Taylor * Guardian *
Matthew Hollis shows an impressive confidence in the promptings of the imagination and no desire at all to ingratiate himself. Craft, not attitude, is what counts. Poems are sometimes called "quiet" when really they're inaudible. His are genuinely quiet, drawing in the ear to enjoy, for example, his artful rendering in slowed folk-song rhythm of the terror and excitement of floods. -- Sean O'Brien * Sunday Times *
Awards
Short-listed for Guardian First Book Award 2004.
Book Information
ISBN 9781852246570
Author Matthew Hollis
Format Paperback
Page Count 64
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
About the Author
Matthew Hollis was born in 1971 in Norwich, and now lives in London. He won an Eric Gregory Award in 1999. He is co-editor of 101 Poems Against War (Faber, 2003) and Strong Words: Modern Poets on Modern Poetry (Bloodaxe Books, 2000), and editor of the Selected Poems of Edward Thomas (Faber, 2011). He is Poetry Editor at Faber & Faber. After its shortlisting for the Forward Prize for Best First Collection, his first full-length collection Ground Water (Bloodaxe Books, 2004) was shortlisted for the Guardian First Book Award (the first time for a poetry book) and for the Whitbread Poetry Award. Ground Water was also a Poetry Book Society Recommendation. His biography, Now All Roads Lead to France: The Last Years of Edward Thomas (Faber, 2011), won the Costa Biography Award, the H.W. Fisher Biography Award and a Royal Society of Literature Jerwood Award for Non-Fiction, and was BBC Radio 4 Book of the Week and Sunday Times Biography of the Year. In 2016 he published two limited letterpress and hand-made pamphlets, Stones (Incline Press) and East (Clutag Press).
Reviews
An impressive debut...the metaphorical language is finely judged, touching both the landscapes and the people crawling its surface with a shrewd but never less than sympathetic gaze. -- D.J.Taylor * Guardian *
Matthew Hollis shows an impressive confidence in the promptings of the imagination and no desire at all to ingratiate himself. Craft, not attitude, is what counts. Poems are sometimes called "quiet" when really they're inaudible. His are genuinely quiet, drawing in the ear to enjoy, for example, his artful rendering in slowed folk-song rhythm of the terror and excitement of floods. -- Sean O'Brien * Sunday Times *
Awards
Short-listed for Guardian First Book Award 2004.
Book Information
ISBN 9781852246570
Author Matthew Hollis
Format Paperback
Page Count 64
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
