Description
In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions.
Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
About the Author
Tony Bolden is associate professor of African and African American studies at the University of Kansas. His teaching and research interests include African American music, African American literature, cultural studies, African literature, and ethnic American literature. He has published extensively on funk and blues.
Book Information
ISBN 9781496830524
Author Tony Bolden
Format Hardback
Page Count 256
Imprint University Press of Mississippi
Publisher University Press of Mississippi
Weight(grams) 550g