Description
Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas.
Look Again is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences - Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book - a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf. Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.
Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.
Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as Artribune, San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Sudostschweiz Newspaper and Elephant among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
About the Author
Gideon Rubin (b. 1973, Tel Aviv) lives and works in London. A student of the School of Visual Arts in New York and the Slade School of Fine Arts in London, Rubin has had numerous international one-man shows, including the Freud Museum, London; K11 Art Foundation, Shanghai; San Jose ICA, California; and the Herzliya Museum, Israel. Jennifer Higgie is an Australian writer who lives in London. She is the author of The Mirror and the Palette (2021) and The Other Side: A Journey into Women, Art and the Spirit World (2023) and was editor-at-large of frieze. Higgie presents the podcast Bow Down about women in art history and has judged the Paul Hamlyn Award and the Turner Prize. Dr Matthew Holman (PhD in American art history, University College London) is currently Lecturer in Literature and Fine Arts at the University of Hertfordshire and regularly writes criticism for The Art Newspaper, frieze, The Times Literary Supplement and elsewhere. His book, Frank O'Hara: Curator of Modern Life, is forthcoming with Bloomsbury. Born in Buenos Aires in 1971, Varda Caivano lives and works between London and Madrid. Having graduated from the Royal College of Art in 2004, the artist has presented work at Kunstverein Freiburg, Germany; The National Museum of Art, Osaka, Japan; the Whitechapel Gallery, London; the Renaissance Society, Chicago; and Chisenhale Gallery, London.
Book Information
ISBN 9781910221525
Author Gideon Rubin
Format Hardback
Page Count 228
Imprint Anomie Publishing
Publisher Anomie Publishing
Look Again is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences - Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book - a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf. Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.
Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.
Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUS&Co., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as Artribune, San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Sudostschweiz Newspaper and Elephant among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
About the Author
Gideon Rubin (b. 1973, Tel Aviv) lives and works in London. A student of the School of Visual Arts in New York and the Slade School of Fine Arts in London, Rubin has had numerous international one-man shows, including the Freud Museum, London; K11 Art Foundation, Shanghai; San Jose ICA, California; and the Herzliya Museum, Israel. Jennifer Higgie is an Australian writer who lives in London. She is the author of The Mirror and the Palette (2021) and The Other Side: A Journey into Women, Art and the Spirit World (2023) and was editor-at-large of frieze. Higgie presents the podcast Bow Down about women in art history and has judged the Paul Hamlyn Award and the Turner Prize. Dr Matthew Holman (PhD in American art history, University College London) is currently Lecturer in Literature and Fine Arts at the University of Hertfordshire and regularly writes criticism for The Art Newspaper, frieze, The Times Literary Supplement and elsewhere. His book, Frank O'Hara: Curator of Modern Life, is forthcoming with Bloomsbury. Born in Buenos Aires in 1971, Varda Caivano lives and works between London and Madrid. Having graduated from the Royal College of Art in 2004, the artist has presented work at Kunstverein Freiburg, Germany; The National Museum of Art, Osaka, Japan; the Whitechapel Gallery, London; the Renaissance Society, Chicago; and Chisenhale Gallery, London.
Book Information
ISBN 9781910221525
Author Gideon Rubin
Format Hardback
Page Count 228
Imprint Anomie Publishing
Publisher Anomie Publishing
