Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.

About the Author
Paul Walker is Associate Professor of the Practice, Organ at University of Notre Dame. He is the author of Theories of Fugue from the Age of Josquin to the Age of Bach.

Reviews
Paul Walker's recent monograph provides a welcome addition to the growing body of literature on imitative processes in sixteenth-century music. * Denis Collins, The University of Queensland, BACH: Journal of the Riemenschneider Bach Institute, *



Book Information
ISBN 9780190056193
Author Paul Walker
Format Hardback
Page Count 384
Imprint Oxford University Press Inc
Publisher Oxford University Press Inc
Weight(grams) 590g
Dimensions(mm) 157mm * 236mm * 28mm