This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.

This beautifully illustrated monograph presents the first synthetic study of Gothic ivory sculpture in its historical, social, and artistic contexts.

About the Author
Sarah M. Guerin is assistant professor of the history of art at the University of Pennsylvania.


Book Information
ISBN 9781316511008
Author Sarah M. Guerin
Format Hardback
Page Count 334
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 1420g
Dimensions(mm) 287mm * 223mm * 30mm