Description
What roles do imaginary games have in story-telling? Why do fiction authors outline the rules of a game that the audience will never play? Combining perspectives from philosophy, literary theory and game studies, this book provides the first in-depth investigation into the significance of fictional games within fictional worlds. Drawing from contemporary cinema and literature, from The Hunger Games to the science fiction of Iain M. Banks, Stefano Gualeni and Riccardo Fassone introduce five key functions that different types of imaginary games have in worldbuilding. First, fictional games can emphasize the dominant values and ideologies of the fictional society they belong to. Second, some imaginary games function in fictional worlds as critical, utopian tools, inspiring shifts in the thinking and political orientation of the fictional characters. Third, a few fictional games are conducive to the transcendence of a particular form of being, such as the overcoming of human corporeality. Fourth, imaginary games within works of fiction can deceptively blur the boundaries between the contingency of play and the irrevocable seriousness of "real life", either camouflaging life as a game or disguising a game as something with more permanent consequences. And fifth, they can function as meta-reflexive tools, suggesting critical and/or satirical perspectives on how actual games are designed, played, sold, manipulated, experienced, understood and utilized as part of our culture. With illustrations in every chapter bringing the imaginary games to life, Gualeni and Fassone creatively inspire us to consider fictional games anew: not as moments of playful reprieve in a storyline, but as significant and multi-layered expressive devices.
Using examples from contemporary film and literature, this is the first book to examine the role and cultural significance of imaginary games within fiction.
About the Author
Stefano Gualeni is Associate Professor at the Institute of Digital Games, University of Malta, Malta. His recent publications include: Virtual Worlds as Philosophical Tools (2015) and Virtual Existentialism (2020). Riccardo Fassone is Associate Professor in the Department of Humanities at the University of Torino, Italy. His recent publications include: Every Game is an Island. Endings and Extremities in Video Games (Bloomsbury, 2017).
Reviews
The first in depth examination of games within literature, this book takes us on a critical journey through several well known examples, examining the potential that games have to reflect philosophical and cultural values within fiction, as well as their place as essential moments of reflection, thought and ideologies within literary writing. * Esther MacCallum-Stewart, Professor of Game Studies, Staffordshire University, UK *
Gualeni and Fassone's brilliant volume provides a long-overdue analysis of the fascinating ways in which fictional games structure our understanding of fantastic storyworlds across different media. Their knowledgeable, affectionate, and compulsively readable study offers the reader tremendous insight into a compelling but largely overlooked topic. * Dan Hassler-Forest, Media scholar, Utrecht University, The Netherlands *
Sitting at the intersection of cultural studies, philosophy, and games studies, Gualeni and Fassone provide an overview and preliminary taxonomy of how fictional games function across a range of media. Fictional Games thus opens important new directions in the study of such games, showing how they are more than mere narrative devices. * Will Slocombe, Reader in English, University of Liverpool, UK *
Book Information
ISBN 9781350277120
Author Stefano Gualeni
Format Paperback
Page Count 216
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Using examples from contemporary film and literature, this is the first book to examine the role and cultural significance of imaginary games within fiction.
About the Author
Stefano Gualeni is Associate Professor at the Institute of Digital Games, University of Malta, Malta. His recent publications include: Virtual Worlds as Philosophical Tools (2015) and Virtual Existentialism (2020). Riccardo Fassone is Associate Professor in the Department of Humanities at the University of Torino, Italy. His recent publications include: Every Game is an Island. Endings and Extremities in Video Games (Bloomsbury, 2017).
Reviews
The first in depth examination of games within literature, this book takes us on a critical journey through several well known examples, examining the potential that games have to reflect philosophical and cultural values within fiction, as well as their place as essential moments of reflection, thought and ideologies within literary writing. * Esther MacCallum-Stewart, Professor of Game Studies, Staffordshire University, UK *
Gualeni and Fassone's brilliant volume provides a long-overdue analysis of the fascinating ways in which fictional games structure our understanding of fantastic storyworlds across different media. Their knowledgeable, affectionate, and compulsively readable study offers the reader tremendous insight into a compelling but largely overlooked topic. * Dan Hassler-Forest, Media scholar, Utrecht University, The Netherlands *
Sitting at the intersection of cultural studies, philosophy, and games studies, Gualeni and Fassone provide an overview and preliminary taxonomy of how fictional games function across a range of media. Fictional Games thus opens important new directions in the study of such games, showing how they are more than mere narrative devices. * Will Slocombe, Reader in English, University of Liverpool, UK *
Book Information
ISBN 9781350277120
Author Stefano Gualeni
Format Paperback
Page Count 216
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
