Ecohorror represents human fears about the natural world-killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.

Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily "other."

A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.

In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.

About the Author

Christy Tidwell is Associate Professor of English and Humanities at the South Dakota School of Mines and Technology. She is the coeditor of Gender and Environment in Science Fiction.

Carter Soles is Associate Professor of Film Studies at SUNY Brockport. He has published a number of journal articles and book chapters in the fields of film studies and ecomedia.

Reviews

"Fear and Nature expansively defines eco-horror as not only a sub-genre of literature but as a cohesive mode operating across genres and media. Whether talking about Algernon Blackwood or Algernon Swinburne, Bong Joon Ho or Junji Ito, this volume explores the rhizomatic connections that make eco-criticism something that transcends genre, and makes a convincing case for its relevance not only today but as a way of reconsidering what has come before."

-Brian Evenson,author of Song for the Unraveling of the World

"Fear and Nature straddles popular culture studies, horror and gothic studies, film and literary studies, and cultural studies. It is an expansive, ambitious, and exploratory book that is working to move the field beyond earlier works of ecohorror criticism by considering fresh approaches to the subject."

-Bernice Murphy,author of The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness

"This foundational text is an optimistic thrust of possible reimagination, one that does not "foreclose the future or discourage activism.""

-ISLE: Interdisciplinary Studies in Literature and Environment

"This representative and symbolic book is highly recommended to readers as it can offer them the ethics and responsibilities towards nature."

-Tohidur Rahaman Journal of Ecohumanism

"This book is definitely going to be one of the more authoritative texts in the field for a while, due to its sharp, language-building introduction, the chapters' wide applications of ecohorror theory, and the scholars' tendency to use their work to open up conversations rather than simply proving a statement and walking away."

-Jonathan W. Thurston-Torres SFRA Review

Book Information
ISBN 9780271090221
Author Christy Tidwell
Format Paperback
Page Count 300
Imprint Pennsylvania State University Press
Publisher Pennsylvania State University Press
Weight(grams) 426g
Dimensions(mm) 229mm * 152mm * 21mm