Description
Familiar Strangers is Brendan Kennelly's own selection from over 20 poetry books written over five decades. This landmark volume replaces his earlier selections A Time for Voices, Breathing Spaces and Begin. But Kennelly has revisited his life work, re-scoring familiar and estranged pieces into new gatherings which reflect his preoccupations more powerfully, bringing together poems from different times - and adding many new, previously lost or uncollected poems - so that they speak in chorus like the generations of people they celebrate.
About the Author
Brendan Kennelly (1936-2021) was one of Ireland's most distinguished and best loved poets, as well as a renowned teacher and cultural commentator. Born in Ballylongford, Co. Kerry, he was Professor of Modern Literature at Trinity College, Dublin for over 30 years, and retired from teaching in 2005. He published over 30 books of poetry, including Familiar Strangers: New & Selected Poems 1960-2004 (2004), which includes the whole of his book-length poem The Man Made of Rain (1998). He was best-known for two controversial poetry books, Cromwell, published in Ireland in 1983 and in Britain by Bloodaxe in 1987, and his epic poem The Book of Judas (1991), which topped the Irish bestsellers list: a shorter version was published by Bloodaxe in 2002 as The Little Book of Judas. His third epic, Poetry My Arse (1995), did much to outdo these in notoriety. All these remain available separately from Bloodaxe, along with his more recent titles: Glimpses (2001), Martial Art (2003), Now (2006), Reservoir Voices (2009), The Essential Brendan Kennelly: Selected Poems, edited by Terence Brown and Michael Longley, with audio CD (2011), and Guff (2013). His drama titles include When Then Is Now (2006), a trilogy of his modern versions of three Greek tragedies (all previously published by Bloodaxe): Sophocles' Antigone and Euripides' Medea and The Trojan Women. His Antigone and The Trojan Women were both first performed at the Peacock Theatre, Dublin, in 1986 and 1993 respectively; Medea premiered in the Dublin Theatre Festival in 1988, toured in England in 1989 and was broadcast by BBC Radio 3. His other plays include Lorca's Blood Wedding (Northern Stage, Newcastle & Bloodaxe, 1996). His translations of Irish poetry are available in Love of Ireland: Poems from the Irish (Mercier Press, 1989). He has edited several anthologies, including The Penguin Book of Irish Verse (1970/1981), Ireland's Women: Writings Past and Present, with Katie Donovan and A. Norman Jeffares (Gill & Macmillan, 1994), and Dublines, with Katie Donovan (Bloodaxe Books, 1995), and published two early novels, The Crooked Cross (1963) and The Florentines (1967). His Journey into Joy: Selected Prose, edited by Ake Persson, was published by Bloodaxe in 1994, along with Dark Fathers into Light, a critical anthology on his work edited by Richard Pine. John McDonagh's critical study Brendan Kennelly: A Host of Ghosts was published in The Liffey Press's Contemporary Irish Writers series in 2004. His anthology The Heavy Bear Who Goes with Me - co-edited with Neil Astley - was published by Bloodaxe in 2022.
Reviews
'Newspapers celebrate greatness, heroism, achievement and genius in our midst, but sometimes don't pay sufficient attention to the real heroes who matter to us; the people who make a serious contribution to a nation's mental and spiritual well-being. A giant in this area is Brendan Kennelly. He is the people's poet. He spends his life wondering and thinking and daring to think and see differently. He also asks impossible questions and suggests unthinkable answers about the things that really matter. And he refuses to be precious or out of touch with the rest of us' - Jim Farrelly, Editor-in-Chief, Sunday Tribune; 'With considerable honesty and bravery Kennelly enters and becomes others in order to perceive, understand and suffer... always moving, probing and doubting, never willing or able to settle on any one certainty... There is clash and conflict, cruelty and irony, sardonic wit, passion' - Aidan Murphy; 'He lets us watch as he stands bowlegged at a crossroads in time and culture, playing stretch with knives of fear and faith, irony and soul, the fist of vision, the hard-nose of reality' - Bono; 'Kennelly's capacity to strip himself and fight in naked combat with the giants that plague us, make him Ireland's most endearing and reckless poet' - Mark Patrick Hederman; 'A very singular voice which owes nothing really to anybody, except to Kennelly's spiritual and geographical origins and, of course, to his own people' - John B. Keane; 'His poems shine with the wisdom of somebody who has thought deeply about the paradoxical strangeness and familiarity and wonder of life' - Sister Stanislaus Kennedy
Book Information
ISBN 9781852246631
Author Brendan Kennelly
Format Paperback
Page Count 496
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
About the Author
Brendan Kennelly (1936-2021) was one of Ireland's most distinguished and best loved poets, as well as a renowned teacher and cultural commentator. Born in Ballylongford, Co. Kerry, he was Professor of Modern Literature at Trinity College, Dublin for over 30 years, and retired from teaching in 2005. He published over 30 books of poetry, including Familiar Strangers: New & Selected Poems 1960-2004 (2004), which includes the whole of his book-length poem The Man Made of Rain (1998). He was best-known for two controversial poetry books, Cromwell, published in Ireland in 1983 and in Britain by Bloodaxe in 1987, and his epic poem The Book of Judas (1991), which topped the Irish bestsellers list: a shorter version was published by Bloodaxe in 2002 as The Little Book of Judas. His third epic, Poetry My Arse (1995), did much to outdo these in notoriety. All these remain available separately from Bloodaxe, along with his more recent titles: Glimpses (2001), Martial Art (2003), Now (2006), Reservoir Voices (2009), The Essential Brendan Kennelly: Selected Poems, edited by Terence Brown and Michael Longley, with audio CD (2011), and Guff (2013). His drama titles include When Then Is Now (2006), a trilogy of his modern versions of three Greek tragedies (all previously published by Bloodaxe): Sophocles' Antigone and Euripides' Medea and The Trojan Women. His Antigone and The Trojan Women were both first performed at the Peacock Theatre, Dublin, in 1986 and 1993 respectively; Medea premiered in the Dublin Theatre Festival in 1988, toured in England in 1989 and was broadcast by BBC Radio 3. His other plays include Lorca's Blood Wedding (Northern Stage, Newcastle & Bloodaxe, 1996). His translations of Irish poetry are available in Love of Ireland: Poems from the Irish (Mercier Press, 1989). He has edited several anthologies, including The Penguin Book of Irish Verse (1970/1981), Ireland's Women: Writings Past and Present, with Katie Donovan and A. Norman Jeffares (Gill & Macmillan, 1994), and Dublines, with Katie Donovan (Bloodaxe Books, 1995), and published two early novels, The Crooked Cross (1963) and The Florentines (1967). His Journey into Joy: Selected Prose, edited by Ake Persson, was published by Bloodaxe in 1994, along with Dark Fathers into Light, a critical anthology on his work edited by Richard Pine. John McDonagh's critical study Brendan Kennelly: A Host of Ghosts was published in The Liffey Press's Contemporary Irish Writers series in 2004. His anthology The Heavy Bear Who Goes with Me - co-edited with Neil Astley - was published by Bloodaxe in 2022.
Reviews
'Newspapers celebrate greatness, heroism, achievement and genius in our midst, but sometimes don't pay sufficient attention to the real heroes who matter to us; the people who make a serious contribution to a nation's mental and spiritual well-being. A giant in this area is Brendan Kennelly. He is the people's poet. He spends his life wondering and thinking and daring to think and see differently. He also asks impossible questions and suggests unthinkable answers about the things that really matter. And he refuses to be precious or out of touch with the rest of us' - Jim Farrelly, Editor-in-Chief, Sunday Tribune; 'With considerable honesty and bravery Kennelly enters and becomes others in order to perceive, understand and suffer... always moving, probing and doubting, never willing or able to settle on any one certainty... There is clash and conflict, cruelty and irony, sardonic wit, passion' - Aidan Murphy; 'He lets us watch as he stands bowlegged at a crossroads in time and culture, playing stretch with knives of fear and faith, irony and soul, the fist of vision, the hard-nose of reality' - Bono; 'Kennelly's capacity to strip himself and fight in naked combat with the giants that plague us, make him Ireland's most endearing and reckless poet' - Mark Patrick Hederman; 'A very singular voice which owes nothing really to anybody, except to Kennelly's spiritual and geographical origins and, of course, to his own people' - John B. Keane; 'His poems shine with the wisdom of somebody who has thought deeply about the paradoxical strangeness and familiarity and wonder of life' - Sister Stanislaus Kennedy
Book Information
ISBN 9781852246631
Author Brendan Kennelly
Format Paperback
Page Count 496
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
