Description
Etel Adnan (1925-2021) was a Lebanese-American poet, essayist and visual artist. This is the first book to present a full account of Adnan's fascinating life and work, using the drama of her biography, the complexity of her identity, and the cosmopolitan nature of her experience to illuminate the many layers and dimensions of her paintings and their progress over several crucial decades.
Adnan came relatively late to painting - her first images were created in the late-1950s in response to the Californian landscape. Her vocabulary of lines, shapes and colours changed little over time, and yet there are huge variations in mood, texture, composition and material. Similarly, there is a balance between understanding her paintings as pure abstractions, emulating the shape of thought, and seeing them for the actual landscapes of the many places Adnan loved, embraced and responded to.
Tackling the complexities of her subject with skill and insight, Kaelen Wilson-Goldie unpacks Adnan's multi-layered career to capture the full scope of her artistic endeavours and impressive achievements.
About the Author
Kaelen Wilson-Goldie is a contributing editor for Bidoun and writes regularly for Artforum, Bookforum, Aperture and Frieze. She has travelled extensively in the Middle East and North Africa to cover the relationship between contemporary art and political upheaval, writing for newspapers, magazines, journals and books.
Reviews
'Reading this account, our experience of both Adnan's painting and poetry can only be enriched.' - Isaac Nugent, Burlington Contemporary
'In a new survey of the artist's work, Etel Adnan, critic Kaelen Wilson-Goldie nimbly thinks across and between Adnan's fraternal endeavors [poetry and painting]. Her descriptions of individual works are melodic, vivid set pieces in themselves, keeping steady rhythm with the nearly one hundred reproductions woven throughout the text.' - Corrine Fitzpatrick, Bookforum
Book Information
ISBN 9781848222663
Author Kaelen Wilson-Goldie
Format Hardback
Page Count 144
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd
Adnan came relatively late to painting - her first images were created in the late-1950s in response to the Californian landscape. Her vocabulary of lines, shapes and colours changed little over time, and yet there are huge variations in mood, texture, composition and material. Similarly, there is a balance between understanding her paintings as pure abstractions, emulating the shape of thought, and seeing them for the actual landscapes of the many places Adnan loved, embraced and responded to.
Tackling the complexities of her subject with skill and insight, Kaelen Wilson-Goldie unpacks Adnan's multi-layered career to capture the full scope of her artistic endeavours and impressive achievements.
About the Author
Kaelen Wilson-Goldie is a contributing editor for Bidoun and writes regularly for Artforum, Bookforum, Aperture and Frieze. She has travelled extensively in the Middle East and North Africa to cover the relationship between contemporary art and political upheaval, writing for newspapers, magazines, journals and books.
Reviews
'Reading this account, our experience of both Adnan's painting and poetry can only be enriched.' - Isaac Nugent, Burlington Contemporary
'In a new survey of the artist's work, Etel Adnan, critic Kaelen Wilson-Goldie nimbly thinks across and between Adnan's fraternal endeavors [poetry and painting]. Her descriptions of individual works are melodic, vivid set pieces in themselves, keeping steady rhythm with the nearly one hundred reproductions woven throughout the text.' - Corrine Fitzpatrick, Bookforum
'Author Kaelen Wilson-Goldie reveals the radical power of abstract painter Etel Adnan's life and work in a new book.' - Shirine Saad, Hyperallergic
Book Information
ISBN 9781848222663
Author Kaelen Wilson-Goldie
Format Hardback
Page Count 144
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd
