Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.

About the Author
Frederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s. V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press.

Reviews
Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. * David Cope *
The texts collected here are mainly written by sound artists describing their respective approaches, ranging from the scientific to the very personal. The resulting collection is rewarding for the reader, who can evaluate how the act of recording assumes a different meaning and value from text to text. * Aurelio Cianciotta, Neural *



Book Information
ISBN 9780190234621
Author Frederick Bianchi
Format Paperback
Page Count 232
Imprint Oxford University Press Inc
Publisher Oxford University Press Inc
Weight(grams) 564g
Dimensions(mm) 255mm * 181mm * 10mm