Description
As Lisa Woolfork cogently reveals, these cultural expressions indicate a concern that the traumatic meanings and consequences of American slavery have been lost to those living in the twentieth and twenty-first centuries. Woolfork analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their re-creations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past.
A unique study of slavery reenactments and performances in African American literature and culture
About the Author
Lisa Woolfork is an associate professor of English at the University of Virginia.
Reviews
"Woolfork's book builds on recent work in African American studies and psychoanalytic theory by Cathy Caruth, Claudia Tate, Hortense Spillers, and Saidiya Hartman, challenging and confronting the divides between past and present, freedom and slavery, as they are reenacted bodily and textually in contemporary US culture. Recommended"--Choice
"With great clarity, Lisa Woolfork engages the most sophisticated theoretical ideas about trauma and slavery. This intricate, comprehensive, and inclusive work joins a burgeoning field of studies that directly analyze slavery in contemporary neo-slave narrative."--Helena Woodard, associate professor of English, University of Texas
"A welcome addition to the African diaspora conversations about slavery, its trauma, and the complications of its remembrance. Woolfork's focus on the bodily epistemology of the slave past as a part of a transnational, multi-racial, multi-generational critique is well conceived and provocative."--Sheila Smith McKoy, author of When Whites Riot: Writing Race and Violence in American and South African Violence
Book Information
ISBN 9780252033902
Author Lisa Woolfork
Format Hardback
Page Count 248
Imprint University of Illinois Press
Publisher University of Illinois Press
Weight(grams) 513g
Dimensions(mm) 229mm * 152mm * 25mm