Description
Munch's early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister when he was growing up, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker.
Written by a team of acknowledged experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch's most remarkable works.
A fascinating examination of Munch's prints, which were central to his creative process and established his reputation as an artist
About the Author
Giulia Bartrum is Curator of German Prints and Drawings at the British Museum. Karl Ove Knausgaard is a Norwegian author, known for six autobiographical novels titled My Struggle.
Reviews
'Fully illustrated ... excellent essays on various aspects of Munch's activity as a print-maker' - Artlyst
'A gripping excavation into a little explored corner of Munch's oeuvre: there is so much more to him than The Scream. Beautifully intense' - The Lady
'Munch's best prints crackle with energy and are still exciting and relevant now. This book is warmly recommended' - Printmaking Today
'A fine study which gets behind the popular image to reveal the human story' - Book Murmuration
Book Information
ISBN 9780500480465
Author Giulia Bartrum
Format Hardback
Page Count 224
Imprint Thames & Hudson Ltd
Publisher Thames & Hudson Ltd
Weight(grams) 1450g