Description
This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of topics, including the 'ideologies' of editing, genre and gender, feminism, editing for student or general readers, print publishing, and new and possible future developments in editing early modern writing, including digital publishing. The works of writers such as Queen Elizabeth I, Mary Wroth, Anne Halkett, Katherine Philips and Katherine Austen are examined, and the issues discussed are related to the ways editing in general has evolved in recent years. This book offers readers an original overview of the central issues in this growing field and will interest students and scholars of early modern literature and drama, textual studies, the history of editing, gender studies and book history.
This volume offers a new and comprehensive exploration of the theory and practice of editing early modern women's writing.
About the Author
Sarah C. E. Ross is Senior Lecturer in the English Programme, at Victoria University of Wellington. She is the author of Women, Poetry, and Politics in Seventeenth-Century Britain (2015) and the editor of Katherine Austen's Book M: British Library, Additional Manuscript 4454 (2011). She has written numerous articles on early modern women writers, religious writing, and manuscript culture. Paul Salzman is Emeritus Professor of English at La Trobe University, Victoria. His most recent publications include Reading Early Modern Women's Writing (2006) and Literature and Politics in the 1620s: Whisper'd Counsells' (2014). He is the editor of four World's Classics volumes, including Early Modern Women's Writing: An Anthology (2008) and Oroonoko and Other Writings (2009), and of an online edition of Mary Wroth's poetry, which won the Society for the Study of Early Modern Women's Digital Scholarship Award.
Reviews
'... this collection is timely and important, filling a crucial gap in assessing the editorial strategies, unique and shared, assumed and explicit, used in making women's texts available for teaching and scholarly use.' Laura Knoppers, University of Notre Dame, Indiana
'... a refreshingly current and theoretically urgent intervention into studies of early modern women's writing. ... Editing Early Modern Women, in sum, is a revelation; a fascinating encounter with the subject that glances backward to the early modern period and reaches forward to the horizon of twenty-first-century practice. ... This generous, intelligent, engaging, and eye-opening volume is a gift to anyone who intends to read, study, or teach early modern women's writing.' Patricia Phillippy, Early Modern Women: An Interdisciplinary Journal
'This important volume will be essential reading for scholars and students interested in editing and gender, in the early modern period and beyond.' Gillian Wright, Renaissance Quarterly
Book Information
ISBN 9781107129955
Author Sarah C. E. Ross
Format Hardback
Page Count 310
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 620g
Dimensions(mm) 235mm * 158mm * 19mm
This volume offers a new and comprehensive exploration of the theory and practice of editing early modern women's writing.
About the Author
Sarah C. E. Ross is Senior Lecturer in the English Programme, at Victoria University of Wellington. She is the author of Women, Poetry, and Politics in Seventeenth-Century Britain (2015) and the editor of Katherine Austen's Book M: British Library, Additional Manuscript 4454 (2011). She has written numerous articles on early modern women writers, religious writing, and manuscript culture. Paul Salzman is Emeritus Professor of English at La Trobe University, Victoria. His most recent publications include Reading Early Modern Women's Writing (2006) and Literature and Politics in the 1620s: Whisper'd Counsells' (2014). He is the editor of four World's Classics volumes, including Early Modern Women's Writing: An Anthology (2008) and Oroonoko and Other Writings (2009), and of an online edition of Mary Wroth's poetry, which won the Society for the Study of Early Modern Women's Digital Scholarship Award.
Reviews
'... this collection is timely and important, filling a crucial gap in assessing the editorial strategies, unique and shared, assumed and explicit, used in making women's texts available for teaching and scholarly use.' Laura Knoppers, University of Notre Dame, Indiana
'... a refreshingly current and theoretically urgent intervention into studies of early modern women's writing. ... Editing Early Modern Women, in sum, is a revelation; a fascinating encounter with the subject that glances backward to the early modern period and reaches forward to the horizon of twenty-first-century practice. ... This generous, intelligent, engaging, and eye-opening volume is a gift to anyone who intends to read, study, or teach early modern women's writing.' Patricia Phillippy, Early Modern Women: An Interdisciplinary Journal
'This important volume will be essential reading for scholars and students interested in editing and gender, in the early modern period and beyond.' Gillian Wright, Renaissance Quarterly
Book Information
ISBN 9781107129955
Author Sarah C. E. Ross
Format Hardback
Page Count 310
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 620g
Dimensions(mm) 235mm * 158mm * 19mm
