Description
Ealing Revisited provides a major reappraisal of one of British cinema's best-loved institutions, Ealing Studios.
During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows.
Addressing both known and less familiar aspects of Ealing's story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present.
Listed in the Independent on Sunday's Cinema books of 2012
http://www.independent.co.uk/arts-entertainment/books/reviews/ios-books-of-the-year-2012-cinema-8373713.html
About the Author
MARK DUGUID is a senior curator at the BFI National Archive. He is the author of the BFI TV Classic on Cracker (2009).
MELANIE WILLIAMS is Lecturer in Film and Television Studies at the University of East Anglia, UK. She is the author of Prisoners of Gender: Women in the Films of J. Lee Thompson (2009), and a co-editor of British Women's Cinema (2009).
KEITH M. JOHNSTON is Senior Lecturer in Film & Television at the University of East Anglia, UK. He is the author of Coming Soon: Film Trailers and the Selling of Hollywood Technology (2009) and Science Fiction Film: A Critical Introduction (2011).
LEE FREEMAN is a PhD Student in Ealing Studios at the University of Hull, UK.
Book Information
ISBN 9781844575114
Author Mark Duguid
Format Hardback
Page Count 304
Imprint BFI Publishing
Publisher Bloomsbury Publishing PLC
During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows.
Addressing both known and less familiar aspects of Ealing's story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present.
Listed in the Independent on Sunday's Cinema books of 2012
http://www.independent.co.uk/arts-entertainment/books/reviews/ios-books-of-the-year-2012-cinema-8373713.html
About the Author
MARK DUGUID is a senior curator at the BFI National Archive. He is the author of the BFI TV Classic on Cracker (2009).
MELANIE WILLIAMS is Lecturer in Film and Television Studies at the University of East Anglia, UK. She is the author of Prisoners of Gender: Women in the Films of J. Lee Thompson (2009), and a co-editor of British Women's Cinema (2009).
KEITH M. JOHNSTON is Senior Lecturer in Film & Television at the University of East Anglia, UK. He is the author of Coming Soon: Film Trailers and the Selling of Hollywood Technology (2009) and Science Fiction Film: A Critical Introduction (2011).
LEE FREEMAN is a PhD Student in Ealing Studios at the University of Hull, UK.
Book Information
ISBN 9781844575114
Author Mark Duguid
Format Hardback
Page Count 304
Imprint BFI Publishing
Publisher Bloomsbury Publishing PLC
