Description
for SATBarB unaccompanied John Taverner's Respond 'Dum transisset Sabbatum' (I) is now established as one of the finest examples of English polyphony composed in the last days of the Sarum Rite. Scored for SATBarB, alternating polyphony and plainchant, its long-flowing and graceful lines carry the story of the three women arriving at the empty tomb on Easter morning bringing spices to anoint the body of Jesus. This new edition presents a reconstruction of the original form of the Respond, together with an alternative opening that allows the performance of the shorter version that was fashioned later in the sixteenth century.
About the Author
John Taverner (c.1490-1545) was one of the leading Tudor composers of the late medieval style. Despite his prominence, the details of his life before 1524 are unknown, though in this year he served as a lay clerk at the collegiate church in Tattershall, Lincolnshire. Soon after, Taverner sang for the nearby Church of St Botolph in Boston, before holding the post of Organist and Master of the Choristers at Cardinal College, Oxford (later Christ Church) from 1526 until 1530. He then returned to Boston but his later life is mostly unknown. Taverner was admonished in 1528 for activity associated with the Lutherans, though escaped punishment for being 'but a musician'. The majority of his surviving musical output dates from the 1520s, and mostly comprises sacred motets, masses (notably the Western Wynd Mass) and other liturgical settings. Unlike his predecessors, Taverner's music began to display continental influence through his adoption of a smoother and less ornate contrapuntal style.
Book Information
ISBN 9780193954205
Author John Taverner
Page Count 12
Imprint Oxford University Press
Publisher Oxford University Press
Weight(grams) 28g
Dimensions(mm) 260mm * 180mm * 2mm
About the Author
John Taverner (c.1490-1545) was one of the leading Tudor composers of the late medieval style. Despite his prominence, the details of his life before 1524 are unknown, though in this year he served as a lay clerk at the collegiate church in Tattershall, Lincolnshire. Soon after, Taverner sang for the nearby Church of St Botolph in Boston, before holding the post of Organist and Master of the Choristers at Cardinal College, Oxford (later Christ Church) from 1526 until 1530. He then returned to Boston but his later life is mostly unknown. Taverner was admonished in 1528 for activity associated with the Lutherans, though escaped punishment for being 'but a musician'. The majority of his surviving musical output dates from the 1520s, and mostly comprises sacred motets, masses (notably the Western Wynd Mass) and other liturgical settings. Unlike his predecessors, Taverner's music began to display continental influence through his adoption of a smoother and less ornate contrapuntal style.
Book Information
ISBN 9780193954205
Author John Taverner
Page Count 12
Imprint Oxford University Press
Publisher Oxford University Press
Weight(grams) 28g
Dimensions(mm) 260mm * 180mm * 2mm
