Description
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images-illustrated books, periodicals, cartoons, comics, and ephemera-to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.
From this starting point, Drawing on the Victorians sets out to explore the relationship between Victorian graphic texts and today's steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.
In this collection, scholars from literary studies, cultural studies, and art history consider contemporary works-Alan Moore's League of Extraordinary Gentlemen, Moto Naoko's Lady Victorian, and Edward Gorey's Gashlycrumb Tinies, among others-alongside their antecedents, from Punch's 1897 Jubilee issue to Alice in Wonderland and more. They build on previous work on neo-Victorianism to affirm that the past not only influences but converses with the present.
Contributors: Christine Ferguson, Kate Flint, Anna Maria Jones, Linda K. Hughes, Heidi Kaufman, Brian Maidment, Rebecca N. Mitchell, Jennifer Phegley, Monika Pietrzak-Franger, Peter W. Sinnema, Jessica Straley
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images-illustrated books, periodicals, cartoons, comics, and ephemera-to a mass readership.
About the Author
Anna Maria Jones is associate professor of English at the University of Central Florida. She is the author of Problem Novels: Victorian Fiction Theorizes the Sensational Self. Her recent articles have appeared in Victorian Literature and Culture, European Romantic Review, Criticism, Neo-Victorian Studies, and BRANCH. Rebecca N. Mitchell is reader in Victorian Literature and Culture at the University of Birmingham. She is the author of Victorian Lessons in Empathy and Difference, coeditor of the anniversary edition of George Meredith's Modern Love and Poems of the English Roadside, and coauthor, with Joseph Bristow, of Oscar Wilde's Chatterton: Literary History, Romanticism, and the Art of Forgery. Peter W. Sinnema is a professor of English at the University of Alberta. He is author of Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News and editor of the Oxford World's Classics edition of Self-Help by Samuel Smiles. Linda K. Hughes, Addie Levy Professor of Literature at Texas Christian University in Fort Worth, is the author of The Manyfaced Glass: Tennyson's Dramatic Monologues (Ohio, 1987), New Woman Poets: An Anthology, and, with Michael Lund, The Victorian Serial and Victorian Publishing and Mrs. Gaskell's Work.
Reviews
"Drawing on the Victorians is a singularly diverse and multinational collection, a fine critical embodiment of the palimpsest trope that stands ... at its conceptual core." * Victorian Studies *
"Jones and Mitchell's innovative and pioneering collection will establish new areas of scholarly
debate. Moreover, its focus on 'stories and poems, books and periodicals, comics, cartoons, and
other ephemera' will enrich discussions on the interplay between the production and
reception of Victorian and neo-Victorian graphic texts and textual images."
"Stunningly transnational ... The editors take the notion of the palimpsest as their conceptual frame because it speaks to haunting of one text and/or image by another, a layering, they assert, that becomes particularly complex when linguistic, geographic, historical, and temporal boundaries are crossed."
"Research in Victorian and neo-Victorian visual and verbal art receives a welcome boost from this collection. Not claiming to be a definitive map or theory, it nonetheless at every point opens up new questions for debate and new topics for investigation by future critics and scholars."
"This pioneering work in illustration studies will provide a necessary starting point for future work in the field."
Book Information
ISBN 9780821422472
Author Anna Maria Jones
Format Hardback
Page Count 400
Imprint Ohio University Press
Publisher Ohio University Press
