This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as
Behind the Screen (
Kulisy ekrana, 1919) and
Palace and Fortress (
Dvorets i krepost, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as
Children of the Age (
Deti veka, 1915) and
Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.
This book provides a fresh insight into early-Russian and Soviet silent film by highlighting the crucial contribution of production artists and their collaboration with filmmakers.About the AuthorEleanor Rees received her PhD in January 2020 from University College London (UCL), UK, and has a BA and MA in History of Art at the Courtauld Institute of Art, University of London, UK. Her doctoral research was funded by the Wolfson Foundation and the Design History Society. She has written 'Comfort and the Domestic Interior in Early-Soviet Cinema of the 1920s' in Pat Kirkham and Sarah Lichtman (eds),
Interiors: Film and Television (Bloomsbury Academic, 2020).
Book InformationISBN 9781350246362
Author Eleanor ReesFormat Hardback
Page Count 256
Imprint Bloomsbury AcademicPublisher Bloomsbury Publishing PLC