Description
Hugely admired by artists and writers from Henri Cartier Bresson to the Booker prize winner Howard Jacobson, the extraordinary life and work of painter Dennis Creffield (1931-2018) are explored in this, the first major monograph on the artist.
The narrative traces the artist's 'Dickensian' upbringing, his formative experiences as a teenager under the tutelage of David Bomberg, his conversion to Catholicism and his award-winning years at the Slade. Focus is given to Creffield's passions for the stories of England, not only in the Cathedral drawings, but in his expressive work on Shakespeare's Midsummer Night's Dream, on Blake and in his paintings and drawings of London, the great Petworth House, Cornish tin mines and the eerie military buildings on Orford Ness.
Complementing his work on England's sacred and profane identity is an equally audacious body of work on the human body, from tender paintings of mother and child to erotic paintings of women to his late paintings of men near death - Turner, Nelson and Rimbaud. To quote his fellow artist R.B. Kitaj, Creffield's cover has been 'well and truly blown.'
About the Author
Richard Cork is an award-winning art critic, historian, broadcaster and curator. He has been art critic for the Evening Standard and the Times, among others. Alongside academic posts and curating exhibitions for venues including Tate and the National Gallery, he is author of numerous books, including his ground-breaking study of David Bomberg, and has been awarded the Llewellyn Rhys Prize, the Banister Fletcher Award and the Art Fund Award. He is also Honorary Fellow of the Royal Academy.
Book Information
ISBN 9781848224742
Author Richard Cork
Format Hardback
Page Count 208
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd
The narrative traces the artist's 'Dickensian' upbringing, his formative experiences as a teenager under the tutelage of David Bomberg, his conversion to Catholicism and his award-winning years at the Slade. Focus is given to Creffield's passions for the stories of England, not only in the Cathedral drawings, but in his expressive work on Shakespeare's Midsummer Night's Dream, on Blake and in his paintings and drawings of London, the great Petworth House, Cornish tin mines and the eerie military buildings on Orford Ness.
Complementing his work on England's sacred and profane identity is an equally audacious body of work on the human body, from tender paintings of mother and child to erotic paintings of women to his late paintings of men near death - Turner, Nelson and Rimbaud. To quote his fellow artist R.B. Kitaj, Creffield's cover has been 'well and truly blown.'
About the Author
Richard Cork is an award-winning art critic, historian, broadcaster and curator. He has been art critic for the Evening Standard and the Times, among others. Alongside academic posts and curating exhibitions for venues including Tate and the National Gallery, he is author of numerous books, including his ground-breaking study of David Bomberg, and has been awarded the Llewellyn Rhys Prize, the Banister Fletcher Award and the Art Fund Award. He is also Honorary Fellow of the Royal Academy.
Book Information
ISBN 9781848224742
Author Richard Cork
Format Hardback
Page Count 208
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd
