Description
Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.
Shows how the concept of decadence has evolved into a major cultural trope with broad explanatory power.
About the Author
Jane Desmarais is Professor of English and Director of the Decadence Research Unit in the Department of English and Comparative Literature at Goldsmiths, University of London. She has written numerous essays on the theme of decadence and has co-edited several works, including Decadence: An Annotated Anthology (with Chris Baldick, 2012), Arthur Symons: Selected Early Poems (with Chris Baldick, 2017), and Decadence and the Senses (with Alice Conde, 2017). Her monograph, Monsters under Glass: A Cultural History of Hothouse Flowers, 1850 to the Present was published in 2018. David Weir is Professor Emeritus of Comparative Literature at The Cooper Union for the Advancement of Science and Art in New York City, where he taught literature, linguistics, and cinema. He has published books on Jean Vigo, James Joyce, William Blake, orientalism, and anarchism, as well as three books on decadence. Those books have had a major role in the development of decadence as an academic field of study, beginning with Decadence and the Making of Modernism (1995), Decadent Culture in the United States (2007), and, most recently, Decadence: A Very Short Introduction (2018).
Book Information
ISBN 9781108426244
Author Jane Desmarais
Format Hardback
Page Count 430
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 750g
Dimensions(mm) 236mm * 157mm * 22mm
Shows how the concept of decadence has evolved into a major cultural trope with broad explanatory power.
About the Author
Jane Desmarais is Professor of English and Director of the Decadence Research Unit in the Department of English and Comparative Literature at Goldsmiths, University of London. She has written numerous essays on the theme of decadence and has co-edited several works, including Decadence: An Annotated Anthology (with Chris Baldick, 2012), Arthur Symons: Selected Early Poems (with Chris Baldick, 2017), and Decadence and the Senses (with Alice Conde, 2017). Her monograph, Monsters under Glass: A Cultural History of Hothouse Flowers, 1850 to the Present was published in 2018. David Weir is Professor Emeritus of Comparative Literature at The Cooper Union for the Advancement of Science and Art in New York City, where he taught literature, linguistics, and cinema. He has published books on Jean Vigo, James Joyce, William Blake, orientalism, and anarchism, as well as three books on decadence. Those books have had a major role in the development of decadence as an academic field of study, beginning with Decadence and the Making of Modernism (1995), Decadent Culture in the United States (2007), and, most recently, Decadence: A Very Short Introduction (2018).
Book Information
ISBN 9781108426244
Author Jane Desmarais
Format Hardback
Page Count 430
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 750g
Dimensions(mm) 236mm * 157mm * 22mm
