In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncany ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptography, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schumann" throughout their works, and attention to the late works of Schumann not as evidence of the composer's descent into madness but as inspiration for his successors. Daverio portrays the book's three key players as musical storytellers, each in his own way simulating the structure of lived experience in works of art.

About the Author
John Daverio (deceased) was Professor of Music and Chair of the Department of Musicology at the School of Music at Boston University, and author, Robert Schumann: Herald of a 'New Poetic Age' (OUP, 1997) and Nineteenth-Century Music and the German Romantic Ideology (Shirmer, 1993).


Book Information
ISBN 9780195365863
Author The late John Daverio
Format Paperback
Page Count 324
Imprint Oxford University Press Inc
Publisher Oxford University Press Inc
Weight(grams) 476g
Dimensions(mm) 229mm * 152mm * 19mm