In recent years, the Arab world and Iran have been afflicted by cataclysmic events, among them brutal state crackdowns of revolutions. Yet, filmmakers have persisted in their desire to tell their stories, against the odds, in creative acts that attest to their imagination, courage and resilience. In this book, Shohini Chaudhuri examines a broad range of films made during the tumultuous period since 2009, ranging from internationally award-winning festival favourites, such as For Sama (2019), Capernaum (2018) and Taxi Tehran (2015), to lesser-known films from the region. While freedom of expression is often understood through the lens of state censorship, she reveals the different types of obstacles that filmmakers face and their strategies for overcoming them so that those constraints are transformed into creative opportunities. Using her original interviews with filmmakers such as Waad al-Kateab, Yasmin Fedda, Larissa Sansour, Mani Haghighi and Ossama Mohammed, she identifies nine creative strategies for producing work under conditions of crisis. Chaudhuri argues that creativity is indelibly shaped by constraints, whether these are externally imposed by existing materials, funding and socio-political conditions, or self-imposed constraints, through choices of genre or acceptance of rules and responsibilities.She shows that the range of creative strategies emanating from the region is much wider than allegory and becoming ever more direct. She thus opens up new lines of inquiry into cinematic creativity in sites of conflict and crisis in the Middle East and beyond.

An exploration of filmmaking from the Arab world and Iran, addressing the complex relationship between crisis and creativity in cinema.

About the Author
Shohini Chaudhuri is a Professor in the Department of Literature, Film and Theatre Studies at the University of Essex, UK. Her main research and teaching area is World Cinema, with particular interests in film and human rights, film-philosophy, feminist and postcolonial theory. Her work develops transnational and comparative frameworks to explore links between different film cultures. She is the author of Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship (2014), Feminist Film Theorists (2006) and Contemporary World Cinema (2005).

Reviews
Crisis Cinema in the Middle East is an absolute tour de force. Chaudhuri's account of the dynamics of creativity and constraint in Iranian and Middle Eastern filmmaking offers deep and compelling insights into the nature of freedom of expression. Engagingly written and theoretically astute, this is, quite simply, one of the best books I have read in a very long time. -- Mette Hjort, University of Lincoln, UK
Shohini Chaudhuri masterfully captures the complex and paradoxical relationship between the notion of creativity and various constraints filmmakers face in Iran and the Arab world. This book offers a fresh and unique study of filmmaking practices across the region from production to distribution organised in nine chapters, each representing a creative solution these filmmakers have employed considering those constraints. This is an essential reading for anyone interested in cinema of the region and an important contribution to global and transnational cinema studies in general. -- Maryam Ghorbankarimi, Lancaster University, UK
Elegantly written and highly informed, Chaudhuri's book first expands our understanding of the immense constraints - political, social, economical - facing Iranian and Arab filmmakers to quickly transcend them through meticulous examinations into an incredibly wide array of creative responses and strategies. A must-read in Middle Eastern Film Studies! -- Viola Shafik, Head of Studies of the Middle Eastern and North African Programme Documentary Campus, Egypt.



Book Information
ISBN 9781350190511
Author Shohini Chaudhuri
Format Hardback
Page Count 328
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC