Description
A documentary's sounds and images are always the product of selection and choice, and often underscore points the filmmaker wishes to make. Crafting Truth illuminates the ways these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction film.
About the Author
LOUISE SPENCE is a professor of cinema studies at Kadir Has University in Istanbul and the coauthor of the award-winning Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (Rutgers University Press).
VINICIUS NAVARRO is an assistant professor of film studies at the Georgia Institute of Technology.
Reviews
"Spence and Navarro create a beautiful, accessible synthesis of the ideas underpinning documentary thinking, the key scholars addressing these ideas, and a diverse filmography representing those texts. It sets the foundation for understanding the form as it has developed so far and provides a starting point for understanding the form as it will evolve in the future."
* Studies in Documentary Film *
"Highly recommended. Perhaps mandatory for students of film, mass communication, and journalism."
* Choice *
"Crafting Truth delivers an intelligent and inspiring introduction to documentary studies through an original framework that powerfully attends to the complex politics, aesthetics, ideas, and forms at the heart of the genre." -- Alexandra Juhasz * co-editor of F is for Phony and documentary videomaker *
"Crafting Truth introduces readers to some of the basic questions guiding contemporary discussions of the documentary. Authors Louise Spence and Vinicius Navarro structure their book around thoughtful considerations of general concepts like authenticity, evidence, and responsibility; structural organization of rhetoric and argument; and formal techniques like editing, camerawork, and sound in order to ask: how do documentaries proclaim themselves authentic?" * Cineaste *
"Crafting Truth addresses all the main issues involved in studying the documentary, cleverly illustrated by recent examples while not forgetting necessary consideration of the canon-a very valuable account." -- Brian Winston * University of Lincoln, UK *
"A novel and illuminating introduction to key concepts in documentary. The distinctive cast to the book makes it an extremely welcome contribution to the field." -- Bill Nichols * author of Engaging Cinema: An Introduction to Film Studies *
"Spence and Navarro create a beautiful, accessible synthesis of the ideas underpinning documentary thinking, the key scholars addressing these ideas, and a diverse filmography representing those texts. It sets the foundation for understanding the form as it has developed so far and provides a starting point for understanding the form as it will evolve in the future."
* Studies in Documentary Film *
"Highly recommended. Perhaps mandatory for students of film, mass communication, and journalism."
* Choice *
"Crafting Truth delivers an intelligent and inspiring introduction to documentary studies through an original framework that powerfully attends to the complex politics, aesthetics, ideas, and forms at the heart of the genre." -- Alexandra Juhasz * co-editor of F is for Phony and documentary videomaker *
"Crafting Truth addresses all the main issues involved in studying the documentary, cleverly illustrated by recent examples while not forgetting necessary consideration of the canon-a very valuable account." -- Brian Winston * University of Lincoln, UK *
"Crafting Truth introduces readers to some of the basic questions guiding contemporary discussions of the documentary. Authors Louise Spence and Vinicius Navarro structure their book around thoughtful considerations of general concepts like authenticity, evidence, and responsibility; structural organization of rhetoric and argument; and formal techniques like editing, camerawork, and sound in order to ask: how do documentaries proclaim themselves authentic?" * Cineaste *
"A novel and illuminating introduction to key concepts in documentary. The distinctive cast to the book makes it an extremely welcome contribution to the field." -- Bill Nichols * author of Engaging Cinema: An Introduction to Film Studies *
Book Information
ISBN 9780813549033
Author Louise Spence
Format Paperback
Page Count 296
Imprint Rutgers University Press
Publisher Rutgers University Press
Weight(grams) 596g
Dimensions(mm) 254mm * 178mm * 15mm