Description
Shows how African writers grapple with and make meaning out of the possibilities and limitations of globalization in a multipolar world.
About the Author
Duncan M. Yoon is an assistant professor at New York University. He was a Kluge Fellow at the Library of Congress and a Fulbright Scholar to South Korea. He chaired the forum, African Literature to 1990, at the Modern Language Association.
Reviews
'Focusing on China's imaginaries in African literature, Yoon's new monograph powerfully recalibrates African literary criticism, postcolonial studies, and world literature. The resulting work is brilliantly argued and conceptually innovative. With his signal concept-alluvial form-Yoon compellingly demonstrates the value of the humanities and cultural forms for understanding and reimagining Africa-China relations. This book is delightful as it is impactful.' Cajetan Iheka, Professor of English, Yale University
'Duncan Yoon has made a significant contribution to our understanding of the relationship between Africa and China, arguing convincingly that literature 'stands front and center' in the mutual world-making of Africans and Chinese. Tightly organized sections give historical context for each literary text, making this book critical reading not only for humanists but for all those interested in African experiences and cultural expressions of Africa-China.' Jamie Monson, Michigan State University
Book Information
ISBN 9781009300278
Author Duncan M. Yoon
Format Hardback
Page Count 280
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 580g
Dimensions(mm) 236mm * 158mm * 22mm