Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as an able Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.

About the Author
Kyoko Yuasa is Lecturer of English Literature at Fuji Women's University and Hokkaido Musashi Women's College. She is the Japanese translator of Bruce L. Edwards's A Rhetoric of Reading: C.S. Lewis's Defense of Western Literacy (2007).

Reviews
"Christian Postmodernism, as Kyoko Yuasa coins the relationship between C.S. Lewis's stories and religion, is an idea that scholars have known through intuition but were not able to express in such a simple and appropriate way. This new literary term is convincingly demonstrated in this book and should also be inspirational for many to explore the genre that plays with Christianity and literature of the postmodern age." Eijun Senaha, Professor of English, Hokkaido University, Japan "Kyoko Yuasa offers a fresh perspective for the 21st century on the works of C.S. Lewis. Her study of Lewis the anti-modernist ranges across the breadth of his writings and is both passionate and scholarly. I found her thorough explication of That Hideous Strength, The Voyage of the Dawn Treader and Till We Have Faces illuminating as she reveals their depth and richness by probing their roots in pre-Enlightenment literature." Joy Alexander, School of Education, Queen's University, Belfast "Kyoko Yuasa provides a scholarly overview of C.S. Lewis's works, showing how he goes against the grain of modernism and rehabilitates values it has discarded. Based on her wide reading, and a detailed analysis of three of his novels, her argument that C.S. Lewis exemplifies a kind of Christian postmodernism will be very helpful in challenging readers to reconsider Lewis in the context of modern thought and culture." John Gillespie, Professor of French Language and Literature (Emeritus), School of Modern Languages, Arts and Humanities Research Institute, Ulster University "Dr. Yuasa argues that Lewis was a Christian, not a radical-postmodernist. The adjectives make all the difference. You will emerge from this study with a deeper understanding of modernism, postmodernism, Lewis, and Jesus, the Christ. I am delighted that this young Christian Japanese scholar has both the perspective and the boldness to show us Lewis in a new light." Gayne John Anacker, Professor of Philosophy, Dean of the College of Arts and Sciences, California Baptist University; Vice President for Academic Affairs, C.S. Lewis Foundation The author has the commendable aim of bringing the works of Lewis, particularly his fiction, to the critical consciousness of a postmodern audience. It is always encouraging to see Christian scholarship seeking to have an impact on the academic mainstream. Andrea Ruddick,The Global Anglican, Autumn 2020 "... contains some fascinating insights on medieval travel literature, and a most interesting comparison of the gardens in Bracton College and the Manor at St Anne's, as well as some original ideas on the influence of Nordic mythology in Till We Have Faces." Suzanne Bray, Modern Believing, October 2020



Book Information
ISBN 9780718895099
Author Kyoko Yuasa
Format Paperback
Page Count 209
Imprint Lutterworth Press
Publisher James Clarke & Co Ltd
Weight(grams) 12g