Tracking music that first arose from a close relationship to the religion of the American South, this book explores the ways in which they have taken on new meanings in a post-religious environment.

Divided into two parts, Pete Ward first gives a historical account of the relationship between old time and bluegrass music and religion. These chapters explore how bluegrass music has been shaped and influenced by Christian experience and practice. Drawing on archival research, the book connects findings around the music to research on and the development of evangelicalism into the 20th Century and reactions against belief that were common in the folk revival.

The second part of the book is based on ethnographic field work, from both the US and the UK, including textual analysis of songs and participant observation of concerts and interviews with performers. The differences of context between the US and the UK are considered as they relate to issues of post-Christian sensibilities and non-religion. A particular focus is how what were specifically Christian songs become relocated in a post-Christian environment. Pete Ward explores how bluegrass raises a number of troubling political issues, and what it means for the changing nature of the sacred and notions of non-religion. A key issue discussed is the continued significance of this music and why 'roots' or 'nostalgia' play a role and indeed how and why this might be the case in the UK as well as in the US.

Tracks how songs that first arose from a close relationship to the conservative religion of the American South have taken on new meanings in a post-religious environment.

About the Author
Pete Ward is Professor of Practical Theology Durham University, UK.

Reviews
A musician as well as a theologian who has investigated encounters with God outside of traditional churches, Ward provides unique insights on the ways we deal with religion in our music making. The chapters include close readings and critical re-examination of key bluegrass gospel texts and historical contexts, media representations and myths, and highlight the diversity of views on religion voiced by musicians. I look forward to the discussions in classrooms and around jam circles after people read and think through these pages. * Lee Bidgood, East Tennessee State University, USA *
Pete Ward has undertaken an ambitious and creative approach to explicating the religious content of bluegrass and related musics. Employing tools of historical, theological, cultural, intellectual, and survey research, he illuminates important patterns and posits striking, relevant insights. For anyone interested in exploring bluegrass gospel music and its ties to unfolding patterns in modern society, I highly recommend Bluegrass and Religion. * Fred Bartenstein, Former President of the IBMA Foundation, USA *
This is a wonderful example of what one might call scholarly fandom. Pete Ward is an amateur bluegrass musician who studies theology and a professional theologian who studies bluegrass. He is also a wise, painstaking and imaginative researcher. Bluegrass and Religion is a must read for anyone fascinated by the everyday entanglement of musical and religious experiences. * Simon Frith, University of Edinburgh, UK *



Book Information
ISBN 9781350175686
Author Dr Pete Ward
Format Hardback
Page Count 224
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC