Description
From June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York's late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness.
In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective's archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original "plays." Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.
An expansive collection that introduces the short-lived and ruthlessly creative phenomenon that was Blacklips.
About the Author
ANOHNI is a visual artist, musician, and playwright who spent her twenties performing music and staging plays in late-night clubs and experimental theatres in New York City. She formed her music group Antony and the Johnsons - named in memory of trans activist Marsha P. Johnson - in 1998. After releasing the group's self-titled first record in 2000 and touring around the world with Lou Reed as a backup singer, her second album, I Am a Bird Now (2005), was awarded the Mercury Prize in the UK. ANOHNI has since released The Crying Light (2008), Swanlights (2009), the live album Cut the World (2012), and HOPELESSNESS (2016), a collaboration with Hudson Mohawke and Daniel Lopatin. She curated the 2012 Meltdown Festival at the Southbank in London, and has performed her music with symphonies in venues including the Royal Opera House in London, Teatro Royale in Madrid, Sydney Opera House, the Olympia in Paris and Radio City Music Hall. ANOHNI's visual installations, performances, and plays have been presented by institutions including Kunsthal Nikolaj in Copenhagen, Bielefeld Kunsthalle in Germany, MoMA, the Whitney Museum, The Kitchen NYC, Aarhus 2017 Capital of Culture, and the Barbican. She scored Valentino's Spring collection presentation "Anatomy of Couture" in Milan in February 2022.
Reviews
"On that night with no audience, Anohni and her collaborator The Psychotic Eve decided to deliver their performances all the same, setting the precedent for an event that pandered to no one, characterised by defiance and a dedication to beauty set on their own resolutely queer terms...Blacklips' aesthetic was spitting and hissing with rage, but the night was also fuelled by an unusually serious dedication to original art."
"The book's 472 pages of subcultural excavation are part punk zine, part queer avant-garde history, a testament to cross-generational solidarity as the AIDS crisis persisted. Long before she achieved international renown, Anohni and her cohort fortified themselves against a brutally inadequate world by creating their own." - New York Times T Magazine
"[Blacklips: Her Life and Her Many, Many Deaths] assemble scripts, photographs, lyrics, flyers, diary entries, video stills, and other ephemera-a full-color, full-bleed visual feast that recreates the visceral experience of a Blacklips play." - Artnet
"The thousands of photographs [Blacklips: Her Life and Her Many, Many Deaths] reprints vibrate with the performers' deconstructive intelligence and destructive glee." - Surface
Book Information
ISBN 9781944860530
Author Marti Wilkerson
Format Hardback
Page Count 492
Imprint Anthology Editions
Publisher Anthology Editions
Weight(grams) 2930g
In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective's archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original "plays." Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.
An expansive collection that introduces the short-lived and ruthlessly creative phenomenon that was Blacklips.
About the Author
ANOHNI is a visual artist, musician, and playwright who spent her twenties performing music and staging plays in late-night clubs and experimental theatres in New York City. She formed her music group Antony and the Johnsons - named in memory of trans activist Marsha P. Johnson - in 1998. After releasing the group's self-titled first record in 2000 and touring around the world with Lou Reed as a backup singer, her second album, I Am a Bird Now (2005), was awarded the Mercury Prize in the UK. ANOHNI has since released The Crying Light (2008), Swanlights (2009), the live album Cut the World (2012), and HOPELESSNESS (2016), a collaboration with Hudson Mohawke and Daniel Lopatin. She curated the 2012 Meltdown Festival at the Southbank in London, and has performed her music with symphonies in venues including the Royal Opera House in London, Teatro Royale in Madrid, Sydney Opera House, the Olympia in Paris and Radio City Music Hall. ANOHNI's visual installations, performances, and plays have been presented by institutions including Kunsthal Nikolaj in Copenhagen, Bielefeld Kunsthalle in Germany, MoMA, the Whitney Museum, The Kitchen NYC, Aarhus 2017 Capital of Culture, and the Barbican. She scored Valentino's Spring collection presentation "Anatomy of Couture" in Milan in February 2022.
Reviews
"On that night with no audience, Anohni and her collaborator The Psychotic Eve decided to deliver their performances all the same, setting the precedent for an event that pandered to no one, characterised by defiance and a dedication to beauty set on their own resolutely queer terms...Blacklips' aesthetic was spitting and hissing with rage, but the night was also fuelled by an unusually serious dedication to original art."
- iD
"The book's 472 pages of subcultural excavation are part punk zine, part queer avant-garde history, a testament to cross-generational solidarity as the AIDS crisis persisted. Long before she achieved international renown, Anohni and her cohort fortified themselves against a brutally inadequate world by creating their own." - New York Times T Magazine
"[Blacklips: Her Life and Her Many, Many Deaths] assemble scripts, photographs, lyrics, flyers, diary entries, video stills, and other ephemera-a full-color, full-bleed visual feast that recreates the visceral experience of a Blacklips play." - Artnet
"The thousands of photographs [Blacklips: Her Life and Her Many, Many Deaths] reprints vibrate with the performers' deconstructive intelligence and destructive glee." - Surface
Book Information
ISBN 9781944860530
Author Marti Wilkerson
Format Hardback
Page Count 492
Imprint Anthology Editions
Publisher Anthology Editions
Weight(grams) 2930g
