"'Black Narcissus", now heralded as a masterpiece, is a landmark film in the influential canon of Michael Powell and Emeric Pressburger. With the centenary of Powell's birth in 2005 this timely book - the first dedicated exclusively to the film - draws on archival documents, original set drawings and stills to demonstrate its remarkable achievements, both as a production and as a vehicle for ideas. Looking at the film's enduring images of both place and gender, Sarah Street also examines "Black Narcissus" as a masterly technical accomplishment - with cinematographer Jack Cardiff's experiments in Technicolor just one of its many advances - as well as a meditation on the end of empire. Looking too at the film's controversial reception by international critics and censors, and its subsequent impact on experimental filmmakers, Street explores issues of technique, style, performance and interpretation to reveal the continued relevance of "Black Narcissus" today.

"Black Narcissus" is a landmark film in the canon of Powell and Pressburger. This book draws on archival documents, original set drawings and stills to explore its enduring images of both place and gender. It also demonstrate the film's achievements, both as a production and as a vehicle for ideas exploring issues of technique, style and others.

About the Author
Sarah Street is Professor of Film at the University of Bristol. Her numerous publications include 'British National Cinema', 'Transatlantic Crossings: British Feature Films in the USA' and, as co-editor, 'The Titanic in Myth and Memory: Representations in Visual and Literary Culture' (I.B. Tauris).

Reviews
'...get hold...of Street's little book and give yourself a treat.' Christopher Wood, Times 2, 10th November 2005.FILM INTERNATIONALIn these new studies, Mark Connelly and Sarah Street concisely summarise the films and place them historically.



Book Information
ISBN 9781845110468
Author Sarah Street
Format Paperback
Page Count 112
Imprint I.B. Tauris
Publisher Bloomsbury Publishing PLC