Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence - the myth of "high modernism" and the myth of "Victorianism" - by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions.

The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.

About the Author

Anne Besnault-Levita is Senior Lecturer at the University of Rouen where she teaches English literature; she is also the Vice-president of the French Virginia Woolf. In 1997, she defended her Phd Dissertation on The Short Stories by Katherine Mansfield, Virginia Woolf and Elizabeth Bowen, at the University of Paris III- Sorbonne Nouvelle and obtained first class honours. She is the author of Katherine Mansfield: La voix du Moment (Paris: Messene, 1997), and co-editor of Construire le sujet. Textes reunis et edites par Anne Besnault-Levita, Natalie Depraz et Rolf Wintermeyer (Limoges: Lambert Lucas, 2014) and of The Journal of the Short Story in English 64 (Spring 2015), Part One: The Modernist Short Story. She is currently working on a book on Virginia Woolf's conception of literary history.

Anne-Florence Gillard-Estrada is Associate Professor at the University of Rouen. She defended a PhD on Hellenism and Greece in Walter Pater's works at Paris -7-Denis Diderot (received with highest honours) and has published articles on Pater, Wilde and Victorian "classical / Aesthetic" painting. She has co-edited Ecrire l'art / Writing Art: Formes et enjeux du discours sur les arts visuels en Grande-Bretagne et aux Etats-Unis (Paris: Mare et Martin, 2015) She is currently writing a monograph on the figurations of Greece and the body in British paintings of Antiquity (1860-1900) and their reception in art criticism and periodicals.

Book Information
ISBN 9780367592387
Author Anne-Florence Gillard-Estrada
Format Paperback
Page Count 236
Imprint Routledge
Publisher Taylor & Francis Ltd
Weight(grams) 358g