In a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge in what is likely to be one of musical scholarship's intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the "structural listening" model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music.

About the Author
Andrew Dell'Antonio is Associate Professor of Music at the University of Texas at Austin. He is the author of Syntax, Form, and Genre in Sonatas and Canzonas, 1621--1635.

Reviews
"This collection is a landmark contribution that will take music scholarship by surprise." - Robert Walser, author of Keeping Time; "A rich and challenging collection. Its authors write from a common perspective that sets their views at odds with the terms that have most commonly determined musical discourse in the twentieth century. At the same time they consider listeners' involvement with a wide range of musics from the high modernism of Boulez and Barraque through the standard classical repertory to MTV. There is something here to interest every music scholar and listener." - Ruth A. Solie, author of Music in Other Words"



Book Information
ISBN 9780520237605
Author Andrew Dell'Antonio
Format Paperback
Page Count 343
Imprint University of California Press
Publisher University of California Press
Weight(grams) 499g
Dimensions(mm) 229mm * 152mm * 23mm