Description
In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.
Interpretations of Bach's late compositions which include complex musical techniques such as canon.
About the Author
David Yearsley is an assistant professor at Cornell University. His scholarly work has appeared in the Journal of the American Musicological Society, Early Music, Music & Letters, and the Journal of Seventeenth-Century Music.
Reviews
Review of the hardback: '... this is a book with spaces for thought, infused with a sense of excitement about the material. it is probably the most important monograph on counterpoint in the eighteenth century to have appeared since Warren Kirkendale's tirelessly detailed Fugue and Fugato in Rococo and Classical Chamber Music.' Eighteenth-Century Music
Review of the hardback: '... the concept behind the book, its thorough and scholarly execution, and the high intellectual level of the writing, all make it an indispensable study for students of Bach's late published works.' Early Music
Book Information
ISBN 9780521090995
Author David Yearsley
Format Paperback
Page Count 276
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 410g
Dimensions(mm) 229mm * 152mm * 16mm
Interpretations of Bach's late compositions which include complex musical techniques such as canon.
About the Author
David Yearsley is an assistant professor at Cornell University. His scholarly work has appeared in the Journal of the American Musicological Society, Early Music, Music & Letters, and the Journal of Seventeenth-Century Music.
Reviews
Review of the hardback: '... this is a book with spaces for thought, infused with a sense of excitement about the material. it is probably the most important monograph on counterpoint in the eighteenth century to have appeared since Warren Kirkendale's tirelessly detailed Fugue and Fugato in Rococo and Classical Chamber Music.' Eighteenth-Century Music
Review of the hardback: '... the concept behind the book, its thorough and scholarly execution, and the high intellectual level of the writing, all make it an indispensable study for students of Bach's late published works.' Early Music
Book Information
ISBN 9780521090995
Author David Yearsley
Format Paperback
Page Count 276
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 410g
Dimensions(mm) 229mm * 152mm * 16mm
