"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."-Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."-Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."-Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."-British Journal of Aesthetics

A "Choice Magazine" "Outstanding Academic Book for 1995".

About the Author

Peter Kivy is Professor of Philosophy at Rutgers University. His previous books include Music Alone: Philosophical Reflections on the Purely Musical Experience, also from Cornell.

Reviews

Authenticities is an important book, and anyone interested in philosophy of music should read it. Anyone can profit from it as a model of careful and informed conceptual analysis.

-- James O. Young, University of Victoria * The Journal of Aesthetics and Art Criticism *

The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding.

* British Journal of Aesthetics *

In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative.

* Notes *

Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations.

* Choice *

Kivy's book is written in its author's characteristic engaging manner and is full of valuable insights into the hermeneutics and aesthetics of performing music of the past.

* Philosophical Review *

Written in lively prose, with a keen sense of reality, this volume ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music.

-- Roger Scruton * Times Literary Supplement *


Awards
Winner of A 1995 Choice Magazine "Outstanding Academic Title.



Book Information
ISBN 9780801484803
Author Peter Kivy
Format Paperback
Page Count 320
Imprint Cornell University Press
Publisher Cornell University Press
Weight(grams) 454g
Dimensions(mm) 229mm * 152mm * 22mm