Description
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoon, and illustrated books. From his sunny childhood and early enthusiasm for sports, theatre and medievalism to his flirtation with high art and fifty-year relationship with the London journal Punch, Tenniel is shown to have been the sociable and urbane humourist revealed in his drawings. There follow three parts on Tenniel's work, in which Morris examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and examines the salient characteristics of his approximately 4,500 drawings for books and journals. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologised the world for generations of Britons.
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day nfrom the Eastern Question to Lincoln and the American Civil Warn examining their assumptions, devices, and evolving strategies.
About the Author
The art historian and artist Frankie Morris is the author of numerous articles on the work of John Tenniel.
Reviews
Morris has almost certainly looked at every bit of art (extant and available) that Tenniel produced. Many of the theses advanced along the way are fresh and in some cases unprecedented. . . . The book can claim to be the standard work on Tenniel. Richard Maxwell, Yale University, editor of The Victorian Illustrated Book Wonderfully, Dr Frankie Morris has written a fine, true and highly readable biography of Sir John Tenniel, the great nineteenth-century cartoonist. Here for the first time, we have a splendidly serviceable analysis, well illustrated, of Tenniel's cartoons as instruments of political persuasion. Morris also offers many fresh and surprising insights into the Tenniel-Carroll relationship and the Alice illustrations. Draper Hill, author of Mr Gillray, The Caricaturist Frankie Miller has done us a great service in this book. If you are interested in John Tenniel you have a thorough biography, likewise, if you are interested in the magazine Punch, not quite from its inception on 17th July 1841, but through to the end of that century. The development of print technology as used by the magazine through the last half of the 19th century is well covered. Romp through British history, at home, in foreign fields and other major international events. But most of all look at Tenniel's collaboration with Carroll in the Alice books, which you'll want to read again, with Miller close at hand. Stewart Rayment in Interlib, Journal of the Liberal Internacional British Group,n.6, pp 21-23, 2023.
Book Information
ISBN 9780718894603
Author Frankie Morris
Format Paperback
Page Count 428
Imprint Lutterworth Press
Publisher James Clarke & Co Ltd
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day nfrom the Eastern Question to Lincoln and the American Civil Warn examining their assumptions, devices, and evolving strategies.
About the Author
The art historian and artist Frankie Morris is the author of numerous articles on the work of John Tenniel.
Reviews
Morris has almost certainly looked at every bit of art (extant and available) that Tenniel produced. Many of the theses advanced along the way are fresh and in some cases unprecedented. . . . The book can claim to be the standard work on Tenniel. Richard Maxwell, Yale University, editor of The Victorian Illustrated Book Wonderfully, Dr Frankie Morris has written a fine, true and highly readable biography of Sir John Tenniel, the great nineteenth-century cartoonist. Here for the first time, we have a splendidly serviceable analysis, well illustrated, of Tenniel's cartoons as instruments of political persuasion. Morris also offers many fresh and surprising insights into the Tenniel-Carroll relationship and the Alice illustrations. Draper Hill, author of Mr Gillray, The Caricaturist Frankie Miller has done us a great service in this book. If you are interested in John Tenniel you have a thorough biography, likewise, if you are interested in the magazine Punch, not quite from its inception on 17th July 1841, but through to the end of that century. The development of print technology as used by the magazine through the last half of the 19th century is well covered. Romp through British history, at home, in foreign fields and other major international events. But most of all look at Tenniel's collaboration with Carroll in the Alice books, which you'll want to read again, with Miller close at hand. Stewart Rayment in Interlib, Journal of the Liberal Internacional British Group,n.6, pp 21-23, 2023.
Book Information
ISBN 9780718894603
Author Frankie Morris
Format Paperback
Page Count 428
Imprint Lutterworth Press
Publisher James Clarke & Co Ltd
