Description
- Links museology, history, theory, and criticism to the realities of contemporary social conditions and shows how they have structurally functioned in a variety of contexts
- Deals with divisive and controversial problems such as blasphemy and idolatry, and the problem of artistic truth
- Addresses relations between European notions about art and artifice and those developed in other and especially indigenous cultural traditions
About the Author
Donald Preziosi is Emeritus Professor of Art History and Critical Theory at UCLA, and Former Slade Professor of Fine Art at Oxford. He trained in art history, classics, and linguistics at Harvard, and is the author and co-author of many books including The Art of Art History: A Critical Anthology (2009).
Claire Farago is Professor of Renaissance Art Theory and Criticism at the University of Colorado at Boulder. She is author and co-author of many books on art theory, historiography, and museums, and is an authority on the manuscripts of Leonardo da Vinci. Her numerous publications include Re-Reading Leonardo: The Treatise on Painting across Europe 1550-1900 (2009).
Donald Preziosi and Claire Farago have previously collaborated as co-editors of Grasping the World: The Idea of the Museum (2004).
Reviews
"Summing Up: Recommended. Graduate students and researchers/faculty." (Choice, 1 August 2012)
Book Information
ISBN 9781405192408
Author Donald Preziosi
Format Hardback
Page Count 192
Imprint Wiley-Blackwell
Publisher John Wiley and Sons Ltd
Weight(grams) 454g
Dimensions(mm) 238mm * 160mm * 15mm