Art as Organism shows that the digital image was a rich and expansive artistic medium of modernism. Linking its emergence to the dispersion of biocentric aesthetic philosophies developed by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts Institute of Technology in the 1970s, Charissa Terranova uncovers seminal but overlooked references to biology, the organism, feedback loops, emotions, and the Gestalt, along with an intricate genealogy of related thinkers across disciplines. Unearthing a forgotten narrative of modernism, one which charts the influence that biology, General Systems Theory, and cybernetics had on modern art, Terranova interprets new major art movements such as the Bauhaus, Op Art, and Experiments in Art and Technology by referencing contemporary insights from architects, embryologists, electrical engineers, and computer scientists. From kinetic and interactive art to early computer art and installations spanning an entire city, this book charts complex connections between visual culture, science and technology that comprise the deep history of 20th-century art.

Counteracting the common assumption that digital and bioart are the products of contemporary artistic practice, this book traces their history back through the development of modernism, revealing new insights into often studied movements such as the Bauhaus.

About the Author
Charissa N. Terranova is Professor of Aesthetic Studies at The University of Texas at Dallas, USA. She is the author of Automotive Prosthetic (2014) and the co-editor of D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture (Bloomsbury, 2021) and has published articles in Leonardo, Art Journal, Urban History Review, and Journal of Urban History, among others.


Book Information
ISBN 9781350270978
Author Dr. Charissa N. Terranova
Format Paperback
Page Count 336
Imprint Bloomsbury Visual Arts
Publisher Bloomsbury Publishing PLC
Weight(grams) 596g