Description
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching
Book Information
ISBN 9781138314672
Author Emma Chambers
Format Paperback
Page Count 294
Imprint Routledge
Publisher Taylor & Francis Ltd
Book Information
ISBN 9781138314672
Author Emma Chambers
Format Paperback
Page Count 294
Imprint Routledge
Publisher Taylor & Francis Ltd
