Description
David Joselit traces and analyses the often contradictory formal, ideological and political conditions during this period which made American art predominant throughout the world. Social and cultural transformations rooted in mass-media technologies - photography, television, video and the Internet - elevated consumer commodities to the status of legitimate art subjects, as in Pop and Installation art, and brought about a mechanization of the creative act. Artists also increasingly engaged with issues of gender, race, identity and power.
Canonical movements and figures are discussed - Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Holzer, Koons and Barney - in juxtaposition with lesser known contemporary artists and practices.
'An excellent introduction to the social and political complexities surrounding the creation of "art history" ... a valuable addition to any library or reading list' The Lecturer
About the Author
David Joselit is Carnegie Professor of the History of Art, Yale University.
Book Information
ISBN 9780500203682
Author David Joselit
Format Paperback
Page Count 256
Imprint Thames & Hudson Ltd
Publisher Thames & Hudson Ltd
Weight(grams) 510g