Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may beAesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks.

About the Author
Bence Nanay is Professor of Philosophy and BOF Research Professor at the University of Antwerp and has worked as a film critic. He is co-director of the Centre for Philosophical Psychology at the University of Antwerp and Senior Research Associate at Peterhouse, Cambridge University. He is the author of Between Perception and Action (OUP, 2013) and the editor of Perceiving the World (OUP, 2010) and of Current Controversies in Philosophy of Perception (Routledge, forthcoming). He has published more than 90 articles on various topics mainly in philosophy of mind and in aesthetics. He used to work as a film critic and served on the jury of various major international film festivals.

Reviews
his thesis and concomitant notions are very interesting. Furthermore, he makes good use of his entire framework. Focused attention and distributed attention do seem involved in various aspects of aesthetic experiences. It would appear that the philosophy of perception can and should illuminate important features of aesthetic experience. I would recommend this book for both philosophers of perception and aestheticians-which is Nanay's intended audience. * Charles Macmillan Urban, Philosophy in Review *
Bence Nanay provides an original and interesting discussion of the connections between aesthetics and the philosophy of perception. * Mette K. Hansen, Philosophical Quarterly *
the discussions are rich with examples drawn from both "high art" and "popular" media, never overused and always on point. This is not to suggest that the discussion is "overly accessible": it offers high-level discussion of technical issues in philosophical aesthetics and art theory, and no less so of issues in philosophy of and empirical studies on perception. For each separate topic or chapter, prior to offering his own critiques and positive analyses, Nanay offers a clear and engaging background story -- whether it is the conceptual history of formalism, philosophical theories about how we see pictures, or scientific evidence that suggests sensory perception is not functionally isolated from other mental processes. The book both invites and informs. * Dustin Stokes, Notre Dame Philosophical Reviews *



Book Information
ISBN 9780198811619
Author Bence Nanay
Format Paperback
Page Count 240
Imprint Oxford University Press
Publisher Oxford University Press
Dimensions(mm) 215mm * 141mm * 13mm