Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing.

Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something - like masculinity - is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.

Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.

About the Author

John Champagne is an Associate Professor of English at Penn State Erie, the Behrend College, and a Visiting Professor of Communications at John Cabot University, Rome. He writes on gender and sexuality in modern culture; a critic and novelist, he is the author of three previous books.

Reviews

"...this is a compelling, rich, and provocative study that provides plenty of food for thought and invites further investigation in this vein. " Charlotte Rose, Universty of Birmingham, Modern Language Review

Book Information
ISBN 9780415528627
Author John Champagne
Format Hardback
Page Count 232
Imprint Routledge
Publisher Taylor & Francis Ltd
Weight(grams) 590g