In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Anne Stevenson argues that change is time's one permanent condition, that it continually transforms the present into the past at the very moment it opens the future to further change. She also argues that without an understanding of how poetry has re-invented itself through its history, today's present innovations are likely to remain rootless and unnourished. Drawing on lines from her own poem, 'The Fiction Makers' - 'They thought they were living now/ But they were living then' - Stevenson traces the theories, fashions and beliefs of modern poets in America and Britain since the 1930s (the span, in fact, of her own lifetime). Giving special attention to the voices of T.S.Eliot, Ezra Pound, Robert Frost, Elizabeth Bishop and Wallace Stevens, she shows how, after World War II, populist movements in the United States rose up against a university-based establishment, introducing a barbarian energy into the art while at the same time destroying its solid base in traditional rhythm and form. Each lecture features poets she considers to be among the most effective of their kind, ranging from W.B. Yeats, Robert Lowell and Richard Wilbur, to Frank O'Hara, John Ashbery and Denise Levertov. In her final lecture, she quotes extensively from friends and contemporaries recently deceased: G.F. Dutton, Frances Horovitz, William Martin, and finishing with a tribute to the voice and ear of Seamus Heaney. To the three texts of her 2016 Newcastle/Bloodaxe Lectures Stevenson has conjoined additional essays originally given as talks in the Chapel of St Chad's College in the University of Durham. These have mainly to do with rhythms and sounds rather than with subject-matter, arguing that, until very recently, it was a defining virtue of poetry not to be about anything that could better or more clearly be said in prose.Finally Stevenson, having had a number of second thoughts about Bitter Fame, her biography of Sylvia Plath (1989), includes a talk on this American poet's astonishing gift and tragic life, first given at Ledbury Poetry Festival in 2013.

About the Author

Anne Stevenson (1933-2020) was born in Cambridge, England, of American parents, and grew up in New England and Michigan. She studied music, European literature and history at the University of Michigan, returning later to read English and publishing the first critical study of Elizabeth Bishop. After several transatlantic switches, she settled in Britain in 1964, living in Cambridge, Scotland, Oxford, the Welsh Borders, and latterly in North Wales and Durham.

She held many literary fellowships, and was the inaugural winner of Britain's biggest literary prize, the Northern Rock Foundation Writer's Award, in 2002. In 2007 she was awarded three major prizes in the USA: the $200,000 Lannan Lifetime Achievement Award for Poetry by the Lannan Foundation of Santa Fe, a Neglected Masters Award from the Poetry Foundation of Chicago and The Aiken Taylor Award in Modern American Poetry from The Sewanee Review in Tennessee. In 2008, The Library of America published Anne Stevenson: Selected Poems, edited by Andrew Motion, in conjunction with the Neglected Masters Award. This series is exclusively devoted to the greatest figures in American literature.

Following two collections in the US in 1965 and 1969, she published her renowned family history sequence Correspondences, along with Travelling Behind Glass: Selected Poems 1963-1973, with Oxford University Press in 1974. After seven more books with OUP, she moved her publishing to Bloodaxe when OUP shut down its poetry list in 1999. In 2000 Bloodaxe reissued her OUP Collected Poems 1955-1995 at the same time as a new collection, Granny Scarecrow. These were followed by A Report from the Border (2003) and an expanded retrospective, Poems 1955-2005 (2005), and then by three later collections, Stone Milk (2007), Astonishment (2012) and Completing the Circle (2020). Her Collected Poems was published by Bloodaxe in 2023.

As well as her numerous collections of poetry, Anne Stevenson published a biography, Bitter Fame: A Life of Sylvia Plath (1989), a book of essays, Between the Iceberg and the Ship (1998), and two critical studies of Elizabeth Bishop's work, most recently Five Looks at Elizabeth Bishop (Bloodaxe Books, 2006).

In 2016 she gave the Newcastle/Bloodaxe Poetry Lectures, published by Bloodaxe in 2017 as About Poems and how poems are not about.

Reviews
Anne Stevenson's writing on poetry is generous, judicious and not without its asperities. In About Poems (And how poems are not about), which brings together her 2016 Newcastle/Bloodaxe lectures and other recent addresses on poetry, she charts an idiosyncratic path from the formalism of the 1950s to the predominantly free verse of a more egalitarian age. She does so with an authority derived from having read, written and thought about poetry for over sixty years... It should not need saying that Anne Stevenson's precepts come from practice: it is hard to think of many contemporary poets whose work is based on more solid foundations or shows more promise of longevity. -- Roger Caldwell * Times Literary Supplement *



Book Information
ISBN 9781780373454
Author Anne Stevenson
Format Paperback
Page Count 144
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd