Description
In this expanded second edition, award-winning Iranian filmmaker Mehrnaz Saeed-Vafa and film critic Jonathan Rosenbaum renew their illuminating cross-cultural dialogue on Kiarostami's work. The pair chart the filmmaker's late-in-life turn toward art galleries, museums, still photography, and installations. They also bring their distinct but complementary perspectives to a new conversation on the experimental film Shirin. Finally, Rosenbaum offers an essay on watching Kiarostami at home while Saeed-Vafa conducts a deeply personal interview with the director on his career and his final feature, Like Someone in Love.
About the Author
Mehrnaz Saeed-Vafa is a filmmaker and a professor of cinema and television arts at Columbia College in Chicago. She is the author of several essays and articles on Iranian cinema. Jonathan Rosenbaum was the film critic for the Chicago Reader from 1987 to 2008. He archives his work at jonathanrosenbaum.net. His books include Goodbye Cinema, Hello Cinephilia and Discovering Orson Welles.
Reviews
"Invaluable." --Harper's Magazine
Praise for the first edition:
"Offers a useful basic introduction to Kiarostami and contemporary Iranian film. . . . Additionally, the book contains a very helpful filmography wherein a summary is provided for each of Kiarostami's films, including the [shorts] and documentaries he made in the 1970s."--Film International
"A lively, accessible, and insightful introduction to the distinctive voice for a roiling, enigmatic culture."--Choice
Book Information
ISBN 9780252083518
Author Mehrnaz Saeed-Vafa
Format Paperback
Page Count 212
Imprint University of Illinois Press
Publisher University of Illinois Press
Dimensions(mm) 210mm * 140mm * 15mm