In this exhilarating book, Anne Middleton Wagner challenges readers to rethink the work of a range of post-World War II artists - Jasper Johns, Andy Warhol, Maya Lin, Bruce Nauman, and Agnes Martin among them - and thus to re-assess the relationship of art to politics and social life. The art of U.S. empire, she argues, is marked by deep dividedness. Painters and sculptors seemed entranced by American symbols, yet used them to enigmatic ends - exuberant, nightmarish, or both. Nor could postwar culture decide if it preserved sites devoted to productive withdrawal - for artists, the special zone called the studio - or simply maintained a margin where numbed subjects rehearsed the rites of vanished self-expression. This book charts the to-and-fro in recent American art between acknowledging the facts of nation and consumerism, and searching for meaningful models. And it shows that this process engages - even structures - national history and the citizen's self.

About the Author
Anne Middleton Wagner is Class of 1936 Chair of Modern and Contemporary Art at the University of California, Berkeley and Henry Moore Foundation Research Curator at the Tate. She is the author of Mother Stone: The Vitality of Modern British Sculpture and Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe (UC Press) among other books.

Reviews
"I found myself reading certain passages aloud, reveling in their conversational pace and cadence, their gentle wordplays and puns." Times Higher Education "The latter decades of the twentieth century were exciting, tumultuous years for the American art scene... Anne Middleton Wagner captures a great deal of this tension and excitement in these pieces." Zeteo (Cuny)



Book Information
ISBN 9780520270978
Author Anne Middleton Wagner
Format Paperback
Page Count 304
Imprint University of California Press
Publisher University of California Press
Weight(grams) 590g
Dimensions(mm) 203mm * 152mm * 18mm