Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate's climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; 'Trespass', 'Landscape and Identity', and 'Climate Breakdown', there will be around 100 works in total starting from 1900 until today. Focussing on activism and how we value, care for, use and draw meaning from the natural landscape, the book will showcase an array of viewpoints reflecting the diverse perspectives in modern Britain, examining the artists' relationship to the landscape and social history as a stimulus for the imagination as much as action and protest. It presents a radical and outward-facing image of Britain and its diverse peoples and landscapes to the world. These conversations present a rare opportunity to reframe Tate's holdings of landscape art as well as explore how we might commune with nature and collectively work towards a more sustainable and equitable future. Artists include Henry Moore, Peter Kennard, Tacita Dean, Ingrid Pollard, Jeremy Deller, Rose English, Chris Killip, Derek Jarman, Yuri Patterson, Anthea Hamilton and many more.

About the Author
Darren Pih is Curator, Exhibitions and Displays, Tate Liverpool Dr. Amy Hale is an Atlanta-based writer, curator, and critic, ethnographer and folklorist, speaking and writing about esoteric history, magic, art, culture, women and Cornwall. She writes and speaks on topics as diverse as psychogeography, Pagan religious tourism, colour theory, and politics in modern Paganism. Hale has written widely on the surrealist and occultist Ithell Colquhoun, and in 2009 she received a grant from the Paul Mellon Foundation for her research. As a gallery writer and essayist, she has contributed essays for Tate, Burlington Contemporary, The Australian Centre for Contemporary Art, Correspondences Journal, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and Spike Island, Bristol. She is an exhibition consultant for the upcoming exhibition on Colquhoun at Tate St Ives.


Book Information
ISBN 9781849768122
Author Darren Pih
Format Paperback
Page Count 288
Imprint Tate Publishing
Publisher Tate Publishing