Description
Focusing on literature, Colas uses Julio Cortazar's Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig's Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia's Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colas's examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.
Offering a new voice in the debate over postmodernity, one that challenges that debate's leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.
About the Author
Santiago Colas is Assistant Professor of Spanish and Latin American literature at the University of Michigan, Ann Arbor.
Reviews
"Colas dares enter the postmodernism debate and ably takes on its leading thinkers. Not only literary critics and theoreticians, but historians, political scientists, and sociologists, too, will have to cite this study as an informed and solidly grounded foray into their respective disciplines."-Jonathan Tittler, Cornell University
"Santiago Colas's book is one of the most richly nuanced contributions to the 'postmodernism in Latin America' debate yet to appear."-Neil Larsen, Northeastern University
Book Information
ISBN 9780822315209
Author Santiago Colas
Format Paperback
Page Count 240
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 454g