Why did Greek actors in the age of Sophocles always wear masks? In this book, first published in 2007, David Wiles provided the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor.

A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.

About the Author
David Wiles is Professor of Theatre at Royal Holloway, University of London.

Reviews
'This is one of the most important books on Greek drama to appear in the last twenty years.' Journal of Hellenic Studies



Book Information
ISBN 9780521865227
Author David Wiles
Format Hardback
Page Count 332
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 828g
Dimensions(mm) 254mm * 180mm * 25mm