Description
Chinua Thelwell brings blackface minstrelsy and performance culture into the discussion of apartheid's nineteenth-century origins and afterlife, employing a broad archive of South African newspapers and magazines, memoirs, minstrel songs and sketches, diaries, and interview transcripts. Exporting Jim Crow highlights blackface minstrelsy's cultural and social impact as it became a dominant form of entertainment, moving from its initial appearances on music hall stages to its troubling twentieth-century resurgence on movie screens and at public events. This carefully researched and highly original study demonstrates that the performance of race in South Africa was inherently political, contributing to racism and shoring up white racial identity.
About the Author
Chinua Thelwell is assistant professor of history and Africana studies at William & Mary.
Reviews
"Historical in nature and based on archival research and an extensive reading of historiography about blackface minstrelsy and racial and labor relations in South Africa, Exporting Jim Crow charts the importance of minstrelsy in forging a distinctive white settler identity in South Africa."- Kevin K. Gaines, author of African Americans in Ghana: Black Expatriates and the Civil Rights Era;
"Thelwell's scholarship is impressive. This is essential reading for those interested in the transnational reach of blackface minstrelsy."- Sandra Jean Graham, author of Spirituals and the Birth of a Black Entertainment Industry
Book Information
ISBN 9781625345172
Author Chinua Thelwell
Format Paperback
Page Count 280
Imprint University of Massachusetts Press
Publisher University of Massachusetts Press
Weight(grams) 463g