Description
Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and - more than any other subject - music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought.
About the Author
Richard Leppert is Samuel Russell Distinguished Professor of Humanities and Morse Alumni Distinguished Teaching Professor in the Department of Cultural Studies and Comparative Literature at the University of Minnesota. His previous books include Art and the Committed Eye: The Cultural Functions of Imagery (1996) and The Sight of Sound: Music, Representation, and the History of the Body (California, 1993).
Reviews
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."-Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society
Book Information
ISBN 9780520226722
Author Theodor Adorno
Format Hardback
Page Count 760
Imprint University of California Press
Publisher University of California Press
Weight(grams) 1134g
Dimensions(mm) 229mm * 152mm * 53mm
About the Author
Richard Leppert is Samuel Russell Distinguished Professor of Humanities and Morse Alumni Distinguished Teaching Professor in the Department of Cultural Studies and Comparative Literature at the University of Minnesota. His previous books include Art and the Committed Eye: The Cultural Functions of Imagery (1996) and The Sight of Sound: Music, Representation, and the History of the Body (California, 1993).
Reviews
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."-Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society
Book Information
ISBN 9780520226722
Author Theodor Adorno
Format Hardback
Page Count 760
Imprint University of California Press
Publisher University of California Press
Weight(grams) 1134g
Dimensions(mm) 229mm * 152mm * 53mm
